Details

Item details

Date

May 19, 2024 6:30PM

Name

Sherman Irby

Description

Presented by Laurna Godwin in memory of Samuel Hutchinson

Born and raised in Tuscaloosa, Alabama, Sherman began playing saxophone at at the age of 12, almost immediately recognizing that it was his life’s calling. Upon graduating high school – during which he had the opportunity to play and record with Gospel immortal James Cleveland – Sherman attended Clark Atlanta University, graduating with a B.A. in Music Education. He joined Atlanta-based piano legend Johnny O’Neal’s quintet in 1991.

After moving to New York in 1994, Sherman quickly connected with the fertile and vital scene at Smalls, where he was a regular until 1997. Here Sherman caught the attention of Blue Note Records, for which he recorded his first two albums Full Circle, and Big Mama’s Biscuits, released in 1996 and 1998, respectively.

During the Smalls period, Sherman also toured the U.S. and the Caribbean with the Boys Choir of Harlem in 1995, was a member of the Lincoln Center Jazz Orchestra from 1995 to 1997, recorded and toured with Marcus Roberts, and participated in the incomparable Betty Carter’s Jazz Ahead program. Sherman began his four year stint with Roy Hargrove in 1997. After departing Roy Hargrove’s ensemble, Sherman shifted his primary focus to his own group. Although this was his primary commitment, Irby took the opportunity to join the final ensemble of the peerless Elvin Jones in 2004, and after Elvin’s passing, joined Papo Va’zquez’s Pirates Troubadours.

From 2003-2011, Sherman was the regional director for JazzMasters Workshop, a mentoring program for young children. He has served as Artist-in-Residence for Jazz Camp West, Jazz St. Louis, and numerous colleges and universities. He was an instructor for the Monterey Jazz Festival Band Camp, and a former board member for CubaNOLA Collective.

Recognizing the shift in economics of the record industry, Sherman left Blue Note to form Black Warrior Records, releasing Black Warrior, Faith, Organ Starter, Live at The Otto Club, Cerulean Canvas and Andy Farber’s This Could Be the Start of Something Big.

❝ Jazz music represents what we are as a people, what we need as a people: to be around others, to communicate with others, to coexist with others, to respond to others—not just ourselves. ❞

— Sherman Irby

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